Also, having the full PDF is generally a lot faster to search through than using the online help menu within the application. You can also put it onto your iPhone or iPad for light reading while away from your computer. There are a lot of paid and free tutorials out there. Computer File. Apple Final Cut Pro X Manual Final Cut Pro.

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Compound clips can contain video and audio clip components, clips, and other compound clips Effectively, each compound clip can be considered a mini project, with its own distinct project properties Compound clips function just like other clips: you can add them to your project, trim them, retime them, and add effects and transitions Icons appear on compound clips in the Event Browser and the Timeline When you edit the contents of any compound clip, you are in fact editing the parent compound clip from the Event Browser Any changes you make to the compound clip are inherited by all of its child clips For example, if you delete a title clip from the contents of a parent compound clip, the title clip is deleted from all child clips Note: When you add a compound clip to the Timeline or create a compound clip from existing clips in the Timeline, you create a direct and active relationship between a parent compound clip in the Event Browser and the child compound clip in the Timeline If the parent clip doesn’t already exist in the Event Browser, Final Cut Pro creates one automatically When you edit the contents of a compound clip for example, by trimming or adding effects to clips within the compound clip you are in fact editing all instances of that compound clip, including the parent compound clip in the Event Browser If you selected clips in an event: Final Cut Pro creates a new compound clip in the event in addition to the selected clips and places duplicates of the selected clips in the new compound clip horizontally, in the order in which you selected them For further instructions on creating a compound clip in the Event Browser, see Create an empty compound clip, below Final Cut Pro creates a new parent compound clip in the Event Browser This command breaks the relationship between the selected compound clip in the Timeline and its original parent compound clip as well as any child clips of the original parent clip, in all projects Note: Because editing in Final Cut Pro is nondestructive, any changes you make to the contents of standard or compound clips do not affect the corresponding source media files, which remain unchanged on your computers hard disk For more information about the difference between media files and clips, see Media files and clips on page Note: When you edit the contents of a compound clip for example, by trimming or adding effects to clips within the compound clip you are in fact editing all instances of that compound clip, including the parent compound clip in the Event Browser Any changes you make to the internal parts of the compound clip are inherited by all of its child clips, in all projects These changes can include added or deleted clips, trimming adjustments, and video or audio effects such as color correction, clip speed retiming, and so on For example, if you delete a title clip from a parent compound clip, the title clip is deleted from all child compound clips Make sure all contents of a compound clip appear in your movie When youre editing the contents of a compound clip, Final Cut Pro indicates the boundary of the compound clip with a dark gray, cross-hatched area to the left of the start point of the clip and to the right of the end point of the clip The unique advantage of storylines is the ability to edit a sequence of connected clips within the context of the other clips in the Timeline For example, you can add cross dissolve transitions to a series of superimposed titles in a storyline and then adjust the timing of the titles to match clips in the primary storyline Like connected clips, storylines can contain both video and audio, or they can be video only or audio only For more information about connected clips, see Connect clips to add cutaway shots, titles, and synchronized sound effects on page Trim clips: Use any of the standard trim edits in a storyline, including ripple, roll, slip, and slide You can also trim or move clips within storylines by entering timecode values Select and move storylines You can select or move entire storylines as if they were standard clips or compound clips They have the connection properties of connected clips Fine-tune edits with the Precision Editor You can fine-tune the edit point between two clips in the Timeline using the Precision Editor, which provides an expanded view of the clips on either side of the edit point as well as the unused portions of each clip You can trim or extend the end of one clip and the beginning of the next, either separately or together As you make changes, you can instantly see how your edits affect the cut or transition from one clip to the next Note: You can drag the edit line or individual edit points to the extent that there are media handles available When you extend a clip to its maximum length in either direction, the clip edge turns red You can also enter a timecode value to adjust the edit point numerically If you select either the end point of the outgoing clip or the start point of the incoming clip, a ripple edit is performed Otherwise, a roll edit is performed You can use a split edit to introduce the sound of a new shot or scene before cutting to the video of that shot or scene Conversely, you can use a split edit to extend the audio of a shot over a subsequent shot For example, you could cut from a clip of a person talking to video of a person listening, while the audio from the first clip continues Create a split edit using keyboard shortcuts You can create split edits quickly using keyboard shortcuts In this example, the audio from the close-up of the man is extended over the close-up of the woman to create a J-cut Three-point editing overview Three-point editing allows you to use start and end points in the Event Browser and the Timeline to specify the duration of a clip and where it should be placed in the Timeline Three-point editing gets its name from the fact that only three edit points are necessary to determine the portion of the source clip to use and where to place that clip in the Timeline Final Cut Pro infers the fourth edit point automatically The result of the edit depends on which three points are set in the Event Browser and in the Timeline: two start points and one end point or one start point and two end points Stage 1: Set source selection edit points in the Event Browser Specify which part of a clip you want to place in the Timeline You do this by setting the start and end points If you want to set just a start point in the Event Browser, position the skimmer or playhead at the point where you want the edit to begin In this case, the end point is determined by the start and end points set in the Timeline or by the end of the clip You can also select multiple clips in the Event Browser, and their aggregate source media duration determines the start and end points Example: Make a three-point edit The simplest way to perform a three-point edit is to specify start and end points for the source selection in the Event Browser, and then specify the destination start point in your project by positioning the skimmer or the playhead in the Timeline Example: Make a backtimed three-point edit You can make a three-point edit by defining source selection start and end points in the Event Browser and a destination end point instead of a destination start point in the Timeline This is called backtiming a clip You can use this method when you want to make sure a particular clip ends at a specific point in a project, on a musical beat In the resulting edit, the end point of the media in the Event Browser selection is aligned with the end point you set in the Timeline, and the rest of the source selection appears to the left Because you used an overwrite edit, any clip items already in the project are overwritten by the clips selected in the Event Browser for the duration of the Event Browser clips Example: Make a two-point edit You can make an edit without any selections in either the Event Browser or the Timeline This is known as a two-point edit In this case, Final Cut Pro acts on the current clip in the Event Browser from the position of the skimmer or playhead to the end of the clip, and on the project in the Timeline from the position of the skimmer or playhead forward Auditions overview In Final Cut Pro you can organize related clips into sets, called auditions, from which you can choose one clip to use You can create an audition composed of different clips to try out multiple takes, or you can create an audition composed of multiple versions of the same clip to preview different effects Auditions appear in the Event Browser and Timeline as clips with an Audition icon in the upper-left corner Add and remove clips in auditions When building auditions to try out different clips or versions of a clip with different effects, you can add and remove clips at any time In the Event Browser and the Timeline, you can add new clips to the audition as well as duplicate clips within an audition When an audition in the Timeline contains the clips you want to try out, you can use the audition to preview the clips or effects in your project Use auditions to try out clips in your project You create an audition to try out the clips within it and find the one that works best for your project Although the auditioning workflow may differ from project to project, the general process is the same You create an audition that contains a set of alternate takes, effects, or text treatments, and then you choose the best clip for the edit by making it the pick When youre sure of your decision, you finalize the audition, which dissolves it and leaves the pick in the Timeline Tip: To quickly move through and play alternate clips, select a closed audition in the Timeline, press the Space bar, and press Control-Left Arrow to play clips to the left of the current pick, or Control-Right Arrow to play clips to the right Try out multiple effects on a clip in the Timeline You can try out effects on a clip in the Timeline by creating an audition and adding individual effects to duplicates of the same clip This technique allows you to view each effect in relation to the clips that precede and follow the audition in the Timeline Tip: To save time, you can have Final Cut Pro automatically duplicate a clip in the Timeline and apply an effect to the duplicated clip by holding down the Control key while you drag an effect from the Effects Browser to the clip in the Timeline You can also apply an effect to every clip in an audition by holding down the Option key and the Control key while you drag the effect from the Effects Browser to the audition in the Timeline In both cases, you must start dragging the effect from the Effects Browser and then press the keys as you add the effect to the clip Constant speed changes also alter the duration of a clip If a constant speed change causes the duration of a clip in your project to become longer or shorter, all clips coming after it ripple forward or backward If you change the speed to 50 percent, your clip is twice as long; if you change the speed to percent, the clip is half as long For example, if you set a 5-second clip to play back at 50 percent speed, Final Cut Pro adds frames to the clip so that the clip becomes 10 seconds long and plays back more slowly If you increase the clips speed to percent, Final Cut Pro removes frames and makes the clip 5 seconds long, and it plays back considerably faster To apply a custom speed setting: Choose Show Retime Editor from the Retime pop-up menu or press Command-R to display the Retime Editor above the selection in the Timeline, and drag the retiming handle Apply a variable speed change To alter the speed of a clip over time, in forward or reverse motion, you can apply a variable speed change also called speed ramping Variable speed changes create sophisticated effects in which subjects appear to smoothly shift across a variety of different speeds, with gradual or abrupt transitions between each speed segment These types of effects can be seen in many music videos and broadcast commercials, and the effects can be created directly in the Timeline To apply variable speed effects, you divide a clip into speed segments that are set to specific speed percentages Conform a clips speed to match the projects speed If youve applied speed effects using your camera, the native speed of the source media may not match the native speed of the source media for the rest of the clips in your project in the Timeline However, you can change the clip with the differing native speed to match the rest of the clips in the Timeline Optical Flow: Adds in-between frames using an optical flow algorithm, which analyzes the clip to determine the directional movement of pixels and then draws portions of the new frames based on the optical flow analysis Only the portion of the clip used in the project the media between the clip start and end points is analyzed Rendering is required The selection is duplicated, added to the end of the original selection, and then reversed according to the speed choice An additional duplicate of the Timeline selection follows the reversed section and plays back in forward motion at the selections original speed Create instant replays You can apply an instant replay to a range selection within a clip or a whole clip Final Cut Pro duplicates the range or clip, appending the duplicated frames to the end of the selection as a new segment You can then modify the speed of the new segment to achieve the instant replay effect youre looking for Reset retimed clips to play at normal speeds You can reset a range selection or a clip to play back at normal percent speed at any time Resetting the speed removes any directional effects and Holds applied to the selection at the same time Conform frame sizes and frame rates Final Cut Pro manages project settings automatically This means you can work with multiple media types with differing frame sizes also referred to as resolution and frame rates in the same project When you add the first video clip to your project, Final Cut Pro automatically sets the format, frame size, and frame rate for the entire project based on the properties of that first clip or, more precisely, on the properties of the clips source media file Fill: Makes the clips video fill the projects frame size Cropping occurs along the clips longer dimension to allow the shorter dimension to fill the screen Cropping occurs along the clips shorter dimension to allow the longer dimension to fill the screen Optical Flow: A type of frame blending that uses an optical flow algorithm to create new in-between frames Final Cut Pro analyzes the clip to determine the directional movement of pixels, and then draws portions of the new frames based on the optical flow analysis Choosing the Optical Flow option results in better reduction of visual stuttering, and Final Cut Pro spends a significant amount of time to fix visual artifacts When you import clips video, audio, or still images , Final Cut Pro analyzes existing clip metadata to assign one of five default roles to the video and audio components of each clip: Video, Titles, Dialogue, Music, and Effects For example, if a source media file has an iTunes genre metadata tag, Final Cut Pro assigns the Music role to the resulting clip Final Cut Pro assigns the Video and Dialogue roles to clips that contain both video and audio You can assign different roles to each instance of a clip For example, if you add a clip from the Event Browser to the Timeline, copy clips between events, or copy clips within the Timeline, each of these clip instances copies is independent of the others View and reassign roles in the Timeline Index 1 To open the Timeline Index, click the Timeline Index button in the lower-left corner of the.

View and reassign roles in compound clips Compound clips reflect the roles of the original clips that make up the compound clip You can view and reassign the roles of clips inside a compound clip, but you cannot assign roles to the compound clip itself When you assign a role to a compound clip the container , the role is assigned to every clip inside the compound clip If you want to assign different roles to specific clips within the compound clip, you can open the compound clip for editing and then assign roles to individual clips inside the compound clip Create subroles Subroles allow you to organize roles within a role; for example, you could create a Foley Effect subrole within the Effects role, or a Spanish Subtitles subrole within the Titles role All video and audio clips are organized by the default roles of Video, Titles, Dialogue, Music, or Effects, or by a custom role or subrole youve created You can turn off roles to suspend playback for all clips with those roles assigned For example, you could turn off all roles except Dialogue to play back only dialogue clips, and then turn on the Music role to listen to the movie soundtrack along with the dialogue Active roles appear in color in the Timeline, and inactive roles appear gray If you turn off all video or all audio roles, the respective portion of audio-video clips also appears gray You can use XML documents plain ASCII text files with tagged elements to transfer the details of your events and projects between Final Cut Pro and third-party applications, devices, and media asset management tools that do not recognize Final Cut Pro events or projects You can also group unrelated footage together for real-time montage editing such as for music videos For example, if youre editing a music video, you could add several angles of abstract visuals and cut to those angles at specific places in the music You can even use photos from a still camera in a multicam clip If the date and time Content Created information matches the contents of the other angles, the photos are automatically adjusted in duration to fill in the angle When you open any multicam clip in the Angle Editor whether from the Event Browser or the Timeline you are in fact opening the parent multicam clip from the Event Browser Any changes you make to a multicam clip in the Angle Editor are inherited by all of its child clips, in all projects These changes include sync or trimming adjustments, clip speed retiming, video or audio effects such as color correction, and added or deleted angles For example, if you delete an angle from a parent multicam clip, the angle is deleted from all child clips For more information about the Angle Editor, see Sync and adjust angles and clips in the Angle Editor on page If you have only a few angles in your multicam edit, you can make optimized versions of your media during import, using the Apple ProRes codec Or, if you prefer, you can select Create optimized media for multicam clips in Playback preferences to generate optimized media automatically every time you create a multicam clip For more information, see Playback preferences on page Note: If you use the automatic method for creating angles, Final Cut Pro uses any Camera Angle tags in the selected clips to name the angles in the resulting multicam clip You can rename angles in the Angle Editor For more information, see Sync and adjust angles and clips in the Angle Editor on page If you know what kind of metadata your multicam media has, you can create multicam clips using manual methods faster than with the automatic methods The automatic methods use sophisticated automatic audio sync technology to ensure synchronization accuracy but at the expense of processing time Its best to turn off the Use audio for synchronization feature when its not needed For example, if youve recorded accurate timecode in every clip, Final Cut Pro can create your multicam clip automatically without the audio sync feature Note: The automatic settings are shown by default, but if the last multicam clip you created used custom settings, those settings are shown The Content Created method can position clips within one-second accuracy since, in most camcorders, the smallest unit in date and time information is one second If you choose this clip-ordering method, you will probably need to manually synchronize your angles in the Angle Editor to make your multicam clip frame-accurate Tip: The Start of First Clip method is useful if you want to use specific range selections of your source clips only In the Event Browser, add keywords or the Favorite rating to the range selections you want to use and then filter or search for the clips When you create your multicam clip, Final Cut Pro uses only the media showing in the filtered view Cut and switch angles in the Angle Viewer After you create a multicam clip, you can watch all angles simultaneously in the Angle Viewer while switching or cutting to different angles in real time This allows you to cut an entire movie as if it were live, and then fine-tune your edits in the Timeline just as you would for any other project Cut and switch angles in the Angle Viewer You can cut and switch angles on the fly while playing back your project , or you can skim to specific points in the Timeline and then cut and switch You can also use a combination of those two methods In the Timeline, the current multicam clip is cut at the playhead position The section of the clip to the right of the playhead is replaced with a new instance of the clip, with the angle you clicked as the active angle A special through edit point appears at the Timeline playhead position For more information, see Edit multicam clips in the Timeline and the Inspector on page Switch video or audio separately By default, Final Cut Pro switches the video and audio of a multicam clip at the same time But you can set Final Cut Pro to switch the video and audio separately Download the Activator file then extract it type the same password which you entered once for the Final Cut Pro X.

Step 6. Now click on that thing which is selected in the screenshot then click on the open button. Conclusion: Final Cut Pro x is the latest version of this software which you can download it for free from here with out any restrictions and you can use it for free, if you want to have more software for free so click on www.

Final Cut Pro For Mac Apple Inc has made this software for Mac Os operating system so it is easy for you that download it from here With final cut pro you can Assemble clips in the Magnetic Timeline without clip collisions or sync problems.

Final Cut Pro x Features C ompelling, Customizable Effects Preview effects to see how they look with your footage before applying them. Step 2. Now You will see the popup click on the browse button. Step 3. Select the second part then click on open then click OK Step 4. Step 7. You have Successfully installed Final Cut Pro X Conclusion: Final Cut Pro x is the latest version of this software which you can download it for free from here with out any restrictions and you can use it for free, if you want to have more software for free so click on www.

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May 05,  · Final Cut Pro X, OS X Yosemite (), latest version of FCPX / Mac Pro Posted on Mar 23, AM Reply I have this question too . Acces PDF Apple Manual Final Cut Pro XFinal Cut Pro X Presentation Final Cut Pro for iPad Pro?! (Feat. iJustine) New Viewer Features in Apple Final Cut Pro X Final Cut Pro X is coming to ARM (Apples new chips) First Look. Film Making Masterclass with Final Cut Pro X Final Cut Pro X Tutorial Beginners Create Titles Page 6/ “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and .